2007-2013 

Studium der Anglistik, Mathematik und der Erziehungswissenschaften 

Universität Augsburg, University of Newcastle upon Tyne

2013

1. Staatsexamen

Univesität Augsburg

Seit 2014

Wissenschaftlicher Mitarbeiter am Lehrstuhl für Englische Literaturwissenschaft (seit 2019 als akad. Rat a.Z.)

Universität Augsburg 

2019

Promotion zum Dr. Phil. ("summa cum laude")

Universität Augsburg

• metaphysical poetry
• affect theory
• new formalism
• literary ethics
• environmental humanities
• contemporary British drama
• contemporary Anglophone narrative fiction

Monograph:

• Riedelsheimer, Martin (2020): Fictions of Infinity: Levinasian Ethics in 21st-Century Novels. Dissertation, Universität Augsburg, Berlin: De Gruyter. DOI: https://doi.org/10.1515/9783110712407;

Editorship:

• Riedelsheimer, Martin (co-edited with Martin Middeke) (2022): Journal of Contemporary Drama in English: Special Issue - Critical Theatre Ecologies.

Articles and Book reviews:

• Riedelsheimer, Martin, and Leila Vaziri (2023): Ecology in a Loop: Cyclical History and Alternative Epistemologies in Ella Hickson's Oil. In: Christopher Schliephake, Evi Zemanek (Hg.): Anticipatory Environmental (Hi)Stories from Antiquity to the Anthropocene. Lanham: Lexington Books, S. 295-309.
• Riedelsheimer, Martin, and Martin Middeke (2022): Co-mutability, nodes, and the mesh: critical theatre ecologies – an introduction. In: Journal of Contemporary Drama in English 10 (1), S. 2-25. DOI: 10.1515/jcde-2022-0002;
• Riedelsheimer, Martin (2022): Ecology and the ethical milieu: a Levinasian ecological reading of Joe White's Mayfly. In: Critical Stages / Scènes critiques (26).; Riedelsheimer, Martin (2022): Revolution, satire and staging dissensus: Alice Birch's Revolt. She Said. Revolt Again. and Marlene Streeruwitz's Mar-a-Lago. oder. Neuschwanstein. In: Litteraria Pragensia 32 (63), S. 8-23. DOI: 10.14712/2571452x.2022.63.2
• Riedelsheimer, Martin (2022): Book Review: Hogg, Emily J.; Simonsen, Peter (eds.). Precarity in Contemporary Literature and Culture. London/New York: Bloomsbury Academic, 2021. In: Kritikon Litterarum 49 (3-4), S. 375-380. DOI: 10.1515/kl-2022-0047
• Riedelsheimer, Martin and Eva Ries (2021): This narrator nothing affirms, therefore he lies? Truth-speaking and discursive power in Teju Cole's Open City. In: Monika Fludernik, Stephan Packard (Hg.): Being untruthful: lying, fiction, and the non-factual. Baden-Baden: Ergon (Faktuales und fiktionales Erzählen ; 9), S. 305-322.
• Riedelsheimer, Martin and Korbinian Stöckl (2017): The mobility of suffering: cosmopolitan ethics in Debbie Tucker Green’s plays. In: Journal of Contemporary Drama in English 5 (1), S. 112-125. DOI: 10.1515/jcde-2017-0009
• Riedelsheimer, Martin (2017): Vulnerability and the community of the precarious in David Greig's "The Events". In: Mireia Aragay, Martin Middeke (Hg.): Of precariousness: vulnerabilities, responsibilities, communities in 21st-century British drama and theatre. Berlin: de Gruyter (Contemporary Drama in English Studies ; 28), S. 203-216. DOI: 10.1515/9783110548716-014

2007-2013

Stipendiat des Max Weber-Programms Bayern

2008-2013

Stipendiat der Studienstiftung des deutschen Volkes

2019

Wissenschaftspreis der Universitätsstiftung Augsburg

2021

Dissertationspreis des Deutschen Anglistenverbands im Bereich Literatur- und Kulturwissenschaft